Page 2 - Mediums
Painting mediums are used to modify the rate of drying, increase gloss, improve flow or add texture, mediums as an additive to color. Working with oils, solvents, mediums, and varnishes for painting requires an in-depth understanding of paint. The wide range of oils, mediums, and solvents to control color makes choices difficult.
Discover the benefits of using extender pigments in oil paint and learn effective techniques for incorporating them into your artwork. Explore how these additives can modify texture, adjust drying time, control transparency, and manipulate opacity. Unlock the full potential of extender pigments in oil painting...
Are you looking to master the art of oil painting? Look no further than this comprehensive guide on choosing the right drying oil for your artwork. Explore the differences between raw oils, cold-pressed oils, acid-refined oils, alkali-refined oils, stand or bodied oils, and drying oils. Discover how to consider color and viscosity, drying time, longevity, and toxicity when choosing an oil. Experiment with different oils to achieve the perfect consistency and color for your artwork. Learn about the importance of art conservation and safety, including non-toxic oil painting techniques and painting materials. Elevate your artistry with the right painting mediums and artist supplies. Take your oil painting to the next level with this essential guide...
Natural Pigments introduces an oil painting medium called Italian Varnish. Italian Varnish was first mentioned by Jean-François-Léonor Mérimée in his 1839 book, The art of painting in oil and in fresco, as a “strong oil prepared in Italy from a very remote period, and which possesses the double-advantage of drying well, and preventing the flowing about of the most liquid glazing.”...
This guide examines oil painting mediums made by Natural Pigments. These paint mediums are designed to alter the consistency of oil paint in novel ways, different from the varnishes that were in common use since the nineteenth century and alkyd mediums today. Painting mediums change the handling properties of paint, such as flow out and leveling; increase or decrease tackiness and drag; hasten or retard drying time, increase or decrease gloss; increase transparency, and other physical properties of oil paint...
To start painting in Ceracolors colors, you only need paint and water. It handles basically like watercolors or gouache. But for nearly endless possibilities in texture, transparency, viscosity, and sheen, take a look at the wide world of mediums. Think of Ceracolors mediums like paint without the pigment. They're made of the same waxy stuff and can be added to any color in any quantity...
Let's toss out the concepts of “fat over lean” and, for that matter, “thick over thin” (or the confused “thick over lean”) while we are at it, and let's consider the physical structure of the paint. To help you to understand the properties of oil paint, it is helpful to understand the relation between the pigment and oil. One way to think about the relationship between pigment and binder is a brick wall. Every mason knows there is an ideal ratio of mortar to brick. Too much mortar, and the wall is weak. Not enough mortar, and the bricks fall apart...
